Sara Saab came wailing into the world at Al Najjar Hospital, Beirut, Lebanon, in the winter of 1984. The prime witnesses each recall a single stand-out feature of the event: her mother, the musk of hard liquor on the skin of the attending obstetrician, and her father, the worrying Klingon dent scoring the tiny nose of the ruddy and slick infant. This crease soon disappeared, but little Sara didn’t. Nowadays Sara works too hard and—embarrassingly—aches too much in the heart whenever confronted by rock anthems or perfect sentences. Aside from dabbling in software in San Francisco, Sara is one half of The Shuttertext Project and has recently had work appear in Arct, Fantasy Magazine, and Electric Velocipede.